Private instruction focuses on helping students build strong fundamentals, develop tone, and take ownership of their musical growth. With guidance rooted in consistency, listening, and sound-centered technique, students are encouraged to lead their learning through reflection and discipline. Over the years, many have earned spots in regional, all-state, and national ensembles—not solely through talent, but through a steady commitment to the process. In several all-state ensembles, students earned multiple top chair placements on alto, tenor, and baritone saxophone, consistently representing the studio with excellence. These achievements reflect their dedication and the trust that has been built over time. Each lesson is a space for students to develop confidence, lead with sound, and prepare to contribute meaningfully in any musical setting.
This saxophone quartet represents years of steady mentorship and student-led artistry. Two of the students began studying with me in middle school, one in elementary school, and the fourth—brought in and mentored by the others—joined in high school. Each played a different saxophone—soprano, alto, tenor, and baritone—bringing unique voices shaped through years of tone work, phrasing, and ensemble sensitivity. Their decision to form a quartet was entirely their own, and their preparation earned them acceptance to the Midwest Band and Orchestra Clinic. Although the performance was cancelled due to COVID-19, their achievement stands as a testament to student voice, shared leadership, and a long-standing commitment to artistic growth.
Their performance of Bozza’s Andante showcased not only ensemble precision but a deep commitment to shaping every phrase with intention. Years of tone study, listening skills, and phrasing work came through in every rehearsal and coaching session. My guidance focused on refinement and connection, but the students carried the musical direction themselves. The result was a performance built on trust, warmth of sound, and a level of expressive maturity rarely seen in student groups.
The second movement of Lacour’s Suite en Quatuor provided a space for the quartet’s collective voice to shine. Each student approached the music with care, nuance, and a clear musical intention grounded in years of foundational work. Their communication, both verbal and musical, reflected the culture of ownership that we had built over time in lessons. It wasn’t just polished—it was deeply personal, expressive, and filled with the kind of artistry that can only grow through consistent mentorship and a shared commitment to excellence.
Nine students chose to take on Michael Torke’s May—a fast-paced, rhythmically intricate piece—for a public performance. This was not assigned; they decided to put in the work. Through focused rehearsals, individual responsibility, and tone-centered coaching, they shaped the piece into something cohesive and expressive. The result was more than just technically successful—it reflected student ownership, ensemble trust, and a shared commitment to musical growth.